- Tara Parsons
- Jun 30, 2020
- 5 min read

Chapter 16
- Dorian is a man desperate to forget his sins
- He heads to opium dens (reciting Lord Henry’s anthem)
“To cure the soul by means of the senses, and the senses by means of the soul.”
- He is tormented when he sees A. Singleton (which he has corrupted)
- He is called “Prince Charming” by a woman and is then attacked immediately after by James Vane
- uses his looks to get away from murder (question to group: is it alright to use your good looks to your advantage?)
Analysis
- James Vane is a character which Wilde added in his 1981 revision of the novel
- He is a physical incarnation of fear
- He brings literal meaning to the “escape” Dorian is seeking
- Poets Charles Baudelaire and Arthur Rimbaud (both alive around that same time)
- Dorian’s thoughts echo their beliefs
- descriptions of intense experience are the key to beauty, especially if they are grotesque and sordid
- Discuss the juxtaposition of the ugly and the beautiful → do they enhance each other or does ugly enhance the beautiful
- how does this juxtaposition work in the case of Dorian?
-Many years since Henry woke Dorian to his own beauty
“To cure the soul by means of the senses, and the senses by means of the soul.”
-Remembering now shows
- How far Dorian has gone under Henry’s influence
-How shallow Henry’s influence and witticisms are
Q. Was Dorian successful in curing the soul by means of the senses, and the senses by means of the soul?
Chapter 17
- Dorian entertains guests at Selby and they talk about love
- Comedy of Manners: revolves around the complex and sophisticated behavior of the social elite, among whom one’s character is determined more by appearance than by moral behavior.
- Wilde was famous for this comedy of manners
- Do you notice this in the witty dialogue?
- How
Pleasure v. Virtue:
"How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible."
-Life is full of only pleasurable moments and will lead to pleasant but sterile repetition
-So self centered becomes extreme narcissism
Dorian and Henry
-Dorian has never come up with anything of his own
-Says he follows Lord Henry
-Prince Charming:
-lives out of time like a fairy tale character, but his past still haunts him (James Vane)
Chapter 18
- the idea of conscience finally becomes real! If his conscience is powerful enough to create the image of James Vane, then was else could it do?... Before his conscience was seen as something pretty that could be dirtied (but only on the painting)
- When james Vane is shot, Dorian feels safe, but comes home with tears in his eyes
Q. Do you agree with Lord Henry’s idea that destiny is “too wise or too cruel” to send us omens?
- if you have read “The Alchemist” Coelho proposes otherwise
Q. The Picture of Dorian Gray represents the relationship between art and morality. To what extent is this true?
- I think it is correct because as his morality is corrupted, the painting changes
-Deadman death →symbolic of his own
-Very narcissistic view
“It is a bad omen, Harry. I feel as if something horrible were going to happen to some of us. To myself, perhaps”
-Dorian is saved by random events
-Wilde shows the reader that Dorian is no longer a power man →cowers in room weeping
-Class
-Wealthy shoots James and does not bat an eye
Chapter 19
- Dorian visits Lord Henry.Dorian tell him that he has decided to be virtuous. Henry commends his way of living (noting that he has not aged one bit) and tells him not to ruin it by being virtuous
- Lord Henry then asks Dorian, “‘[W]hat does it profit a man if he gain the whole world and lose’—how does the quotation run?—‘his own soul’?”
- Henry mocks the man and does not believe the soul is important but Dorian disagrees with him for once
Beauty and Art
“I would say, my dear fellow, that you were posing for a character that doesn't suit you. All crime is vulgar, just as all vulgarity is crime. It is not in you, Dorian, to commit a murder. I am sorry if I hurt your vanity by saying so, but I assure you it is true. Crime belongs exclusively to the lower orders. I don't blame them in the smallest degree. I should fancy that crime was to them what art is to us, simply a method of procuring extraordinary sensations.”
-Dorian’s beauty makes Lord Henry believe he’s incapable of crime
-Shows Henry’s shallowness
“what does it profit a man if he gain the whole world and lose—how does the quotation run?—his own soul'?”
"Don't, Harry. The soul is a terrible reality. It can be bought, and sold, and bartered away. It can be poisoned, or made perfect. There is a soul in each one of us. I know it."
-Henry is too shallow
-Shows a divide between the two
“Art has no influence upon action. It annihilates the desire to act. It is superbly sterile.”
-but that’s precisely why it has such an influence over action
-think of the portrait of an example of this→holds much influence over Dorian
Chapter 20
- he thinks that his decision to be virtuous may have amended the painting but finds it is not so
- do you think he made the decision to be virtuous out of vanity or out of desperation?
- he realizes his resolution is only an act of hypocrisy and seeks to destroy him
- Did you enjoy the ending? Do you like how old age switches from the portrait to the person? What does this say about art? What does this say about our connection to art?
-Destroys portrait of the himself bc it’s the last piece of evidence and afraid that it’ll haunt himself forever
Appearance v. Reality
-It’s temporary-- reality will always prevail
-How Dorian is found as an old hideous man in the end
Art v. Life
-Art enables his terrible life even as it hid it
-Breaks a mirror
-shows how he stops his self contemplation
-Misses impact of even his worst actions
-Yet in the art he can see the smallest line of hypocrisy
-Showing how great art can lift even the shallowest to new insights
“ Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.”
-Describes Dorian in the end